Michael Fischer

sound

is destined to move
an option of dialogue, in music: devotion
sometimes celestial, sometimes sinister

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new meaning
from moment to moment
through its dramatic evidence

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as a musician in experimental and free improvised music: in dialogue with sound, in dialog with others and oneself,
a fluid state the concious and unconcious
interact of course and reflect, comprehend and sometimes anticipate the paths towards its consistency and clearness of meaning
answers and questions that reveal a glimpse of the universal being.

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meeting the unexpected
kindness, curiosity and courage
taking is little than giving
creating the environment for others and onself

about

Michael Fischer, musician-composer works on the speech immanence of sounds, their sculptural and dramatic evidence, in the field of improvised / experimental music. Since the end of the 90s nterdisciplinary cooperations in the fields of literature, dance, performance, visual media within an international context. In 1999, Michael Fischer began integrating the acoustic phenomenon feedback into his work and developed an exclusively analog, no-effect-based instrument, the feedback-saxophone. In 2004 he launched the Vienna Improvisers Orchestra and works with international improvisation orchestras, temporary large ensembles, choirs since then. Since end of the 90ies numerous projects with artists from the international improvisation scene in Europe, Lebanon, Canada, USA and Japan. Since 2005 radio and live-settings with writers of experimental poetry and prose (f.i. at the Beat Museum San Francisco) Guest Lectures on free improvisation and instant composition conducting at the University ofCalifornia/Irvine, The Johns Hopkins University Maryland, Newcastle University Great Britain, University of Applied Arts Vienna, University of Architecture Vaduz, a.m.o