one of the contemporary artists for all universes
suresh babu maddilety
I become as nature which character is the birthplace of many different characters which thrives forever.
My work investigates the very nature of things that constitutes the world around us. I consider myself a visual philosophical scientist and who looks into the visual manifestations that one element, the atom. It is induced with reason, logic.
The seed becomes a tree which becomes a seed, both seed and tree are active, but the earth does not. The matter is timeless in this nature, but its activity has time which is past, present, and future which even interacts with each other. Roger Penrose theory of Conformal Cyclic Cosmology is the basis for my art. It means the universe cycles endlessly. So far, it has cycled countless times. Along with the universe, organisms, their culture, even me by different materials cycled. All their memories are like waves in this space. I get them through my brain, like an antenna, it processes all those and releases them as art.
Memories of past universes blended in my art. My unconscious reacts to something that is happening in the universe right now, for that, it sees the meanings in the events in the old universes and suggests something reasonless with its mystery philosophy that suggestion becomes art which for conscious tries search reasons. Present knowledge influences me to gain the knowledge from the past that imports substance from present to export future. Also, my art-related ideas reach future universes or artists. Of course, my idea leads to ideas of past universes, but it is lead by a mega vision that carries to future universes.
With vision, my oeuvre partially ends here. But it influences or gets to reality in the future. So, my art is endless. Of course, nature’s time activity forwards compared to my mind, due to observing that fact, I transcend time limitation, my art flows equally with nature, and I am becoming nature. So, even my ideas are timeless, but those activities have time that flows with nature.
My art is not only for existing, it applies to all universes. I see the truth from a lightless cosmos, as well as a lightless cosmos as my art space, as well as the events in it as lightless colours. My art is searching the truth, if not; it remains a beautiful art of theory, but Picasso said “Everything you can imagine is real”.
Vision with merely visual desires the visual reality
Everything enters with character in nature because the universe is in diversity, I add more by my character as nature. So, I built a concept that creating the character of art such as Minimalism and Cubism etc. I am creating only a few, but I merely start to do with a few examples or dummy works, the rest of that I will leave for future artists. This means if we create an idea’s box for ideas we feel ideas are there, but it is an empty box, in that no ideas, ideas will come from future artists and that empty box is my art which has beauty.
2. Universe constructivism
3. Organic photography
4. Found the space for art
5. Create new influences
So, I am searching in nature for the possibilities of character art for art. Recently, I am interested in creating such characteristic art, not character’s work. Some ideas need future marvel technology to enhance their development but we could do some art ideas now with conceptually. The character art is a possible dimension that remains in between practicable and impracticable. The Atom is substance and wave, so I am using visuals and text to understand my creation. Therefore visual is not the end work, both visual and text is the end work. The new media is as a rough drawing for these works. For this concept, Maybe, I was influenced by not only the existing art history isms but also past universes.
Here is the creating character of art the one 1. Microscopicism: In our universe depends on our capability we could see some material, but some material could not. Those are atoms, particles and the constituents of atoms – protons, neutrons, electrons, even protons and neutrons are made up of more elementary particles, called quarks etc. From biology… cells, DNA, Bacteria, virus and so on. Scientists deal these things conceptually to know truths why not artist deal with these things conceptually to do visual art, as to make fun, predict new things, questioning, asking, presenting, make solutions, and play with them and so on as such, so for its character this much only but in future, it would enhance by these, just I am triggering the starting point. Those created artworks I named it Microscopicism.
Now I am doing a few examples of work for Microscopicism in-text art. Our eyes are different qualities. They work up to some limit as macro and micro due to that we enjoy both ways in nature, science should enhance this limit by making biological evolve to see these things directly with our eyes. To watch minute objects directly by our naked eyes. Yes, my desire is if we could see directly the atom with our naked eyes that experience is different. My mediate art proposes new eyesight for art and science. If that happens, from then on, we could see in nature, photosynthesis, our cells, how the god practical create mass, all those things would become touring spots and our creation of artworks at another level means manipulating particles physically with visuality is another entity in art, yes our future’s artist would do that. The Microscopicism character of art will be streamed in future art. Now we could do this character of art only with conceptually.
I have just imagined that we could play with the form of our universe (sphere) and with its whole substance physically. I only give little triggering thought to how to build all the substance of the universe to express our ideas for art, no more than that. I have done randomly two example works which considered as dummy works. In that conceptual place, future artists will express their artistic ideas, whatever they want by manipulating the universe physical form.
Here, I used galaxy as a brick I used all the galaxies of this universe to build off the house, it is titled ‘Universe constructivism 01’. I guess, in future life forms will build this and use galaxies as a medium for art. It is not possible at present physically. It challenges our brain to imagine. It should be supported by science invents to control all universe. The future artist would create works with future marvel technology. It is very thrilling for me that I changed universal’s sphere form to the house or landscape. Thus, here scope for artists to express their ideas change universal’s sphere form to other forms. I am just giving a bit of advice for the future artists if they control the singularity which transforms into the intention universe form. With my art adventure, now only I created the foundation for that adventure after that Universe constructivism gets a character with that more experiments will happen in the future. Through this ism, I am proposing a gigantic visuality for this universe.
The interesting thing for me is that the form of the landscape stays in the little place somewhere within the universe. Here, the inner form is external, that is to say, the form of a house and the landscape becomes a universe. So now, if the outer spherical form of the universe enters into the interior, then how might it transform? Think about what this is going to be! That is quite interesting. The huge house is here where if I want to see every corner house I should be live billion years. All seas, trees, life forms and stars are in the house alone.
I carry a metaphor of investigative science. Aim of here is a theory, with psychology, I show here a photographic image is not the end of the work, but through that photographic image, creating the same photographic image in the viewer dream.
The viewer unconscious incorporates my photographic image in the viewer dream. We make the viewer feel well the photographic image in reality when it watched for a longer time. This image is scary. Psychology says if we are scared of anything that comes in our dreams. It is an experimental artwork. When the viewer sleeps at experiment time, the influence of the photographic image triggers his unconscious to dream a story, in that dream, his unconscious mind incorporates my photographic image in the dream. That is the end of my artwork. So I wanted to propose the unconscious mind as the camera which takes my image and print on the dream as bromide, so this is my proposed style of photography, we can do any medium like this. This work of art not created by the unconscious, but unconscious itself creates the artwork. It is against the process of surrealism.
Of course, it is only a process. It may or may not get into reality now, but it is possible in the coming days. It is an idea for my artistic creation for future artists;
I don’t own any of the images, but those images all are dummy, their places occupied by future artists images. I have taken them from the internet, Flicker, and other sources.
4. Found the space for art
the drawing inside the rock
It is a video work; I have done in Blender 3d software, just now I am learning this. It is not done as animation in Blender 3d software, but while I do work capturing the screen is maybe my fashion of work in-between software.
I have used the space in the rock to draw. The drawing is not significant, just I want to show the example to fill the space, not more than that. In the ad agency, they do dummy artworks for that they use dummy images and for the text, they use to put xxxxxx means copy texts do come there, so my drawing is as the xxxxxxxx.
Everything that has shape is a matter. There is space in every substance. For example, there is space in the mud, in the rock, hill and river. How, all of these are made up of atoms, each of which has 99% empty space. If we could make tools based on this fact we could do anything in these rocks, hills, planets, galaxy and the universe, but at the moment that technology does not exist, but with an imaginary mind we can reach it with a little bit extent. That is my art. With this thought process, I found a remote place, in the same mud, in the rocks, in hills and rivers. That is my ‘Found the space for the art’. it is an action that takes place in the middle of matter, it is like a 3D laser crystal engraving. Find space and showing vision is my art, doing art in that space is not my art. It is left for future artists. I am making a video on that, the futuristic visual.
Artists want to utilize a different space for their art in nature. Christo used space of the outer layer of objects in nature I found space inside the objects. The future artist might generate artworks use the space inside the mountains, human body, atoms, moon and sun… for their concepts. We can’t experience these works naked eyes, maybe with high-end sensors in the future. Now, it is multidisciplinary work, has drawing and video disciplines. At present, it is my first example work is a video that remains in between practicable and impracticable.
With Possible of prediction, I proposed the Bio art satellite conceptually. It might be captures completed art ideas in the universe from our earth. Bio art satellite helps found other art ideas those ideas influence us to create new art ideas.
Bio art satellite is made by in blender 3Dsoftware. I am showing this work images with different angles. With my mental imagery, I have built with one billion brains with flesh. The Brains appear to limit, but those overlapped. This Bio art satellite aims to discover the artistic ideas of this cosmos instead of human art. It means what we are doing art on our planet as exactly in outer space life forms or aliens can produce artworks in their place. Those aliens’ ideas, this Bio art satellite could find out the only end of the creation of tangible ideas. Then our art history would become universe art history. In the future, we not only influenced by our art but also whole universe art. After that, our ideas get new dimensions. Find out the other individual ideas is my individuality.
The matter of the brain does not know what we imagine. Both programs are the different brain and its substance. If we combine both programs into one, we should sense other art information in this universe. It is installed in the earth, not in the sky. It has life and only one sense of imagination of reality.
title: Pronouncism 01- 01 medium: video year; 2020
My pronunciation abstract text art comes from beyond the text art. The pronunciation defined as how you say a word is my definition. I randomly typed letters in my mother tang in Telugu on the keypad, of course, it is meaningless. When I put that text in the Google translation app, one option is there which by the voice of the audio of the pronunciation button, it is pronounced my text with the voice of the audio. The Pronouncism is very interesting to me, in the future, it has a chance, it could be manipulatable and through which creates artworks. It is now multidisciplinary work, has audio, video and text disciplines. It is my only first and last work.
Create unique material to create a unique material that goes on.
Important to this notion is the idea of change that materials take on different qualities. For example, in nature, what was once coal becomes a diamond over time. I see materials as atoms and my works recreate the process of reconfiguring and making new entities the way nature does, such as in the video work, where I create a new element by bringing together familiar objects. Since my preoccupation is with the process by which materials evolve, I am focused on the process, documenting it carefully while the outcome of the process is left ephemeral. The materials I create, which at this point it is a new entity, but again and again, it becomes a new entity in next every universe and as it goes endlessly. In this way, I play with the possibility of materials, going beyond the present-day. Before emerging any a new entity that creates drama in nature.
title: social liquid 01 medium: video year:2014
title: socail liquid 2 medium: video year:2015
title: social liquid 3 medium: video year: 2015
title: icmfspbpce medium: video year:2016
title: mjphcopcftcb medium;video year:2017
title; 6edsncfetgfsmpmh medium: video year:2019
Materialism is one of the concepts I engage with. According to this, matter is fundamental to the universe and defines all forms of creation which then gets differentiated with various attributes. In the sphere of art, the idea of what I call ‘artefact materialism’ is important. Artefact refers to anything that has been created by man and in the world of art, it is this which gives rise to everything including nature. My paintings thus replace nature with the man-made. Each universe receives pros and cons from life-made objects.
Artefacts are assumed as fundamental atoms, the single object equal to a single atom here. I interpret artefacts with the solid without any division, unlike atoms. An object has to exist that should possess so many angles in nature, even if one is lost that becomes space or remains in the space. But, I am breaking this, using only a single angle thereby creating objects. With the possibility, I created single angle objects.
I interpret Artefacts only as of the surface which functions unlike reality from inside to outside (unimaginable or paradoxical), because of object solid without any division, unlike atoms. For instance, the grape plant originates from a drop of wine in a remotely controlled way, the drop exists in the bottle, but the plant springs up another space. The substance moves with the light speed but sees in stillness. Here, the sound of the river as “boat” “boat”… These are my rules of bizarre and not limited. Every object has a story. Behind the canvas, I stick a piece of a magnet for the artefact, a metaphor for power. In the future universe, Artefact materialism happens one day, in reality.
Our eyes make magic for us: when we look at any object or landscape, perspective renders distant objects small and near objects large. I employ a perspective that is the Ovalism. In Ovalism, I extend the destructive proportions of one angle to others. If we look from a side view the car’s tire looks circle, from the front view it looks oval, here I freeze the distorted oval and continue with it at every angle, not just the front. So now, from a side view, the car’s tire becomes oval. I applied this process to every object in the world. In Cubism every angle proportions into one angle, but here one angle proportions into every angle. Every universe has a unique dimensional space through which I created a new dimensional space. It may be next universe dimensional space or I don’t know.
SURESH BABU MADDILETY
Born 1971, Medukurthy, Andhra Pradesh, India.
Lives and works in Hyderabad.
Graduation: 1986-1992; B.F.A J.N.T.U. College of fine arts, Hyderabad.
Post-Graduation: 1996-1998; M.F.A University of Hyderabad.
For video work in IAR International Artist Residency 2020- Napoli (Italy).
1st 2018 Art Slant Prize juried winner.
For installation work in YICCA Art contest 2017/2018 – Milan (Italy).
For installation work in YICCA Art contest 2017- Rome (Italy).
For installation work in Art Laguna Prize 2015- Venice (Italy).
For installation work in Premio Combat Prize2015- Livorno (Italy).
ARTISTS SELECTION FIRST PHASE:
Air Land 3.0 INSIDE LAND organized by the Quasi Quadro association, 2020.
ARTIST RESIDENCE PROGRAMME:
Kerala Lalithakala Academy Artist in Residency programme at Kannur, 2017
47th All India Art exhibition by the Hyderabad art society, 1988.
ONE MAN SHOW:
On 13th Sep 1998, at C.I.E.F.L, Hyderabad.
Finalists Exhibition -YICCA Art contest 2017/18- Milan (Italy).
Finalists Exhibition – YICCA Art contest 2017/- Rome (Italy).
Finalists Exhibition – Art Laguna Prize 2015 -Venice (Italy).
Finalists Exhibition – Premio Combat Prize 2015- Livorno (Italy).
International Gallery Of The Arts (IGOA) 2017.
J.N.T.U. College of Fine Arts Annual Exhibitions;
All India Art Exhibitions, The Hyderabad Art Society;1988,1989,1990,1991,1992,1993,1994.
P.S. Telugu University Exhibition of Art, Hyderabad; 1997.
ARTIST CAMPS: Andhra Pradesh Young Artists Camp by A.P. Govt., 1997,1998,1999,2000